皆为好事

BeginningwithapivotalencounterbetweentwomeninGoiásinthe1980s,directorDanielNolascoweavesanarrativethatspansacrosstimeand,perhaps,multipledimensions,drivenbytheintenseforcesofdesireandlove,aswellasthesuffocatingweightofrepressionandsilence.Nolasco,whowasfeaturedinOlhar’sFocussectionduringthepandemic,continueshisdistinctiveandundefinablejourneywitharadicallyqueercinemathatrefusestolookawayfromtheoftenparadoxicalphysicalexpressionsofbothdesireandviolence.

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